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New England Foliage Thread


TauntonBlizzard2013

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Nice! Love the gray against the color in the first one, and the lighting in the second.

 

Thank you. It was nice to take a quick excursion while on breaks from work. Here is to hoping I can catch some flakes at Bolton Valley on Sunday :)

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Messing with filters and exposure and shutter speed and whatnot while taking the picture is not any different than post-image editing. It's just a difference as to when you do the enhancing.

 

I think its quite obvious when someone does something to make the picture look more realistic versus when someone over-edits the picture.

 

It’s very interesting to hear the debate about post-processing images.  I’m actually amazed that it’s even a debate, because it’s at best just opinion/preference, but more practically speaking, the point is moot.  Photography is art, not science.  Unless one is in a contest or is submitting work under contract in which specific techniques are not allowed, there are no rules.  Even then, the disallowed techniques are usually just about adding and removing actual elements from the images, not global processing of the images.  Saying that one can’t sharpen, adjust saturation, alter color, exposure, etc. is pointless, because unless one is shooting entirely in raw files (and even then, some of those are pre-adjusted in camera) your camera is already modifying all those settings and more before you even see the image.  Every camera takes a different picture based on its sensor in the first place, and then they all apply all those processing settings differently on top of that.  One could just as easily go out and buy a camera that automatically defaults to heavy saturation and sharpness (or just adjust the settings in camera), and then they would be allowed to have super saturated, over sharpened images… but that would be OK because they didn’t do any post-processing?  If people weren’t allowed to process their images, they would have to go out and buy (or at least try) hundreds of different cameras until they found the one that happened to be the closest to the look they were hoping to get.  And then that camera would probably be good for just one type of image, and they might need other cameras if they wanted to shoot different subjects and get an acceptable result.  I’m trying to think of good analogies in other fields to relate to post-processing in photography, but it would be like telling every painter in the world that whatever paint colors of one specific brand were available at their local store was all they were allowed to use.  They couldn’t mix any of the colors, or add white to make them brighter, or use another brand of paint that had a more saturated look.  Also, woe to those painters who had poor eyesight, because they would only be allowed to create the exact blurry scenes that they can see without their eyeglasses.  They wouldn’t be allowed to wear their eyeglasses to create a properly sharp picture from the beginning (in-camera sharpening) or fix their paintings afterwards back in their studio (sharpening in post-processing).  Anyway, the bottom line is that there’s no “standard” camera - everyone’s cameras are already arbitrarily applying all these settings that people are talking about in post-processing to varying degrees.  And, even if that wasn’t the case, the discipline is an entirely subjective art form anyway.

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It’s very interesting to hear the debate about post-processing images.  I’m actually amazed that it’s even a debate, because it’s at best just opinion/preference, but more practically speaking, the point is moot.  Photography is art, not science.  Unless one is in a contest or is submitting work under contract in which specific techniques are not allowed, there are no rules.  Even then, the disallowed techniques are usually just about adding and removing actual elements from the images, not global processing of the images.  Saying that one can’t sharpen, adjust saturation, alter color, exposure, etc. is pointless, because unless one is shooting entirely in raw files (and even then, some of those are pre-adjusted in camera) your camera is already modifying all those settings and more before you even see the image.  Every camera takes a different picture based on its sensor in the first place, and then they all apply all those processing settings differently on top of that.  One could just as easily go out and buy a camera that automatically defaults to heavy saturation and sharpness (or just adjust the settings in camera), and then they would be allowed to have super saturated, over sharpened images… but that would be OK because they didn’t do any post-processing?  If people weren’t allowed to process their images, they would have to go out and buy (or at least try) hundreds of different cameras until they found the one that happened to be the closest to the look they were hoping to get.  And then that camera would probably be good for just one type of image, and they might need other cameras if they wanted to shoot different subjects and get an acceptable result.  I’m trying to think of good analogies in other fields to relate to post-processing in photography, but it would be like telling every painter in the world that whatever paint colors of one specific brand were available at their local store was all they were allowed to use.  They couldn’t mix any of the colors, or add white to make them brighter, or use another brand of paint that had a more saturated look.  Also, woe to those painters who had poor eyesight, because they would only be allowed to create the exact blurry scenes that they can see without their eyeglasses.  They wouldn’t be allowed to wear their eyeglasses to create a properly sharp picture from the beginning (in-camera sharpening) or fix their paintings afterwards back in their studio (sharpening in post-processing).  Anyway, the bottom line is that there’s no “standard” camera - everyone’s cameras are already arbitrarily applying all these settings that people are talking about in post-processing to varying degrees.  And, even if that wasn’t the case, the discipline is an entirely subjective art form anyway.

This is the only place where I have encountered this debate. I am in agreement with you and post-processing has been a reality long before photoshop in dark rooms. Honestly if people want to continue arguing about it perhaps a thread in off topic is in order :).

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It’s very interesting to hear the debate about post-processing images.  I’m actually amazed that it’s even a debate, because it’s at best just opinion/preference, but more practically speaking, the point is moot.  Photography is art, not science.  Unless one is in a contest or is submitting work under contract in which specific techniques are not allowed, there are no rules.  Even then, the disallowed techniques are usually just about adding and removing actual elements from the images, not global processing of the images.  Saying that one can’t sharpen, adjust saturation, alter color, exposure, etc. is pointless, because unless one is shooting entirely in raw files (and even then, some of those are pre-adjusted in camera) your camera is already modifying all those settings and more before you even see the image.  Every camera takes a different picture based on its sensor in the first place, and then they all apply all those processing settings differently on top of that.  One could just as easily go out and buy a camera that automatically defaults to heavy saturation and sharpness (or just adjust the settings in camera), and then they would be allowed to have super saturated, over sharpened images… but that would be OK because they didn’t do any post-processing?  If people weren’t allowed to process their images, they would have to go out and buy (or at least try) hundreds of different cameras until they found the one that happened to be the closest to the look they were hoping to get.  And then that camera would probably be good for just one type of image, and they might need other cameras if they wanted to shoot different subjects and get an acceptable result.  I’m trying to think of good analogies in other fields to relate to post-processing in photography, but it would be like telling every painter in the world that whatever paint colors of one specific brand were available at their local store was all they were allowed to use.  They couldn’t mix any of the colors, or add white to make them brighter, or use another brand of paint that had a more saturated look.  Also, woe to those painters who had poor eyesight, because they would only be allowed to create the exact blurry scenes that they can see without their eyeglasses.  They wouldn’t be allowed to wear their eyeglasses to create a properly sharp picture from the beginning (in-camera sharpening) or fix their paintings afterwards back in their studio (sharpening in post-processing).  Anyway, the bottom line is that there’s no “standard” camera - everyone’s cameras are already arbitrarily applying all these settings that people are talking about in post-processing to varying degrees.  And, even if that wasn’t the case, the discipline is an entirely subjective art form anyway.

 

I agree with everything you said. My only point is my preference is for pictures that look realistic vs. ones who don't.

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Photography is art, not science.

And weather is science, not art.  Who are you to swoop in and decide this debate is moot?

 

There is a pretty enormous difference between the adjustments your camera is capable of and the ridiculous stuff you see online... viral pictures of supercells seem to be the worst offenders.

 

I don't think anyone has ever said photos shouldn't be manipulated in the slightest.  I do think photos should look realistic, especially on a science based forum.

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And weather is science, not art.  Who are you to swoop in and decide this debate is moot?

 

There is a pretty enormous difference between the adjustments your camera is capable of and the ridiculous stuff you see online... viral pictures of supercells seem to be the worst offenders.

 

I don't think anyone has ever said photos shouldn't be manipulated in the slightest.  I do think photos should look realistic, especially on a science based forum.

 

 

Storm Chasers often sell their images as art, hence the heavy manipulation. Anyway again this is off topic and should be its own thread.

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I agree with everything you said. My only point is my preference is for pictures that look realistic vs. ones who don't.

 

Oh, I agree with everything in your post as well, I thought it was well put and was just choosing a quote among the many in the thread for following up in the conversation.

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And weather is science, not art.  Who are you to swoop in and decide this debate is moot?

 

There is a pretty enormous difference between the adjustments your camera is capable of and the ridiculous stuff you see online... viral pictures of supercells seem to be the worst offenders.

 

I don't think anyone has ever said photos shouldn't be manipulated in the slightest.  I do think photos should look realistic, especially on a science based forum.

 

I don’t think one needs to be anyone special to decide if a debate is moot; it doesn’t mean it is, and it doesn’t mean anyone has to listen.  I’m not a moderator trying to put a stop to the debate; the fact that there is a debate about the subject is actually quite interesting (and I don’t think the discussion is necessarily off topic in a foliage thread focused around photography).  Just because a subject is scientific, does not in any way mean that the photography of that subject has to somehow be scientific, or even “realistic”.  Professional scientific photography as part of research within a discipline can be a different story, but this is a casual thread about foliage.  People pretty much say whatever they want in these threads within the rules of the forum, so it was surprising to see image processing getting an especially high level of scrutiny.

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And weather is science, not art.  Who are you to swoop in and decide this debate is moot?

 

There is a pretty enormous difference between the adjustments your camera is capable of and the ridiculous stuff you see online... viral pictures of supercells seem to be the worst offenders.

 

I don't think anyone has ever said photos shouldn't be manipulated in the slightest.  I do think photos should look realistic, especially on a science based forum.

Tell us how you really feel.

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Those cell phone pics aren't bad at all, you just need to clean the lens.

 

raging downpour in progress.

 

Haha I always have to remind myself of that.  Sometimes I take one and be like hmmm, looks "cloudy" and then realize there's pocket lint all over the lens.  I love how far cell phone cameras have come lately...can take a decent photo these days, even printing them they don't look bad as long as its like a 5x7 or 4x6.

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