But then that's just "I don't like crappy music," and crappy music is hardly a new thing. There's a reason you'll hear the same mega-hit two or three times on a 60s channel in one day trip... the best of the best lives on and the 95% of material in the just-okay to really bad spectrum gets filtered out with the sands of time. Labels telling artists they need to appeal more to the masses also goes back pretty much to the beginning.
I'd argue that artists collectively have more freedom than ever to do their own thing without corporate pressures. They aren't beholden to the interests of terrestrial radio listeners anymore. The Jason Isbells, Phoebe Bridgerses, and Taylor Swifts of the world are objectively producing really imaginative material dripping with talent, even if it's not to one's taste – but with so many venues for independent discovery, there is, invariably, something to everyone's taste being released every day, if they're inclined to look. I mean, shoot. Bluegrass is probably having its hottest moment right now since Flatt & Scruggs got on the scene.